Harry James Orchestra plays jazz ‘at a higher level’

Home Culture Harry James Orchestra plays jazz ‘at a higher level’
Harry James Orchestra plays jazz ‘at a higher level’
The Harry James Orchestra performed at Hillsdale College this past weekend. | Facebook

As the audience laughed softly at the story just told onstage by conductor Fred Radke, Radke turned from the microphone to the Harry James Orchestra and counted off, “One, two, a one, two, three,” and the sounds of trumpet, trombone, and saxophone filled the Searle Center. Off to the side of the stage, couples and students rocked and spun in various American swing dances to the tunes of Harry James’ classic big band and jazz.

The Harry James Orchestra performed at the Hillsdale College Searle Center this past Saturday from 7 p.m. to 10 p.m. Among the selections they played were “Ciribiribin,” “You Made Me Love You,” and “I Don’t Want to Walk Without You” by Harry James as well as “Take the A Train” by Billy Strayhorn.

“Last year was a little more reserved,” sophomore Kathleen Hess said. “This year, it was a little different. It was a friendlier environment because we all knew why we were there. It was a better experience because now thanks to the big band-little band student musicians, I’ve had one year to sort of train my ear for jazz and now to better understand and appreciate when a real big band comes in.”

Harry James was a trumpet player who led a big band in the first half of the 1940s, recording hits with Frank Sinatra and Benny Goodman and launching the careers of other younger singers afterwards. He was so well-known for his trumpet-playing that in the 1940 Metronome poll, he was voted “best hot trumpeter” and “best all-around trumpeter.” Now, Radke carries on his legacy as a conductor and trumpeter in the Harry James Orchestra.

“They’re the best big band I’ve ever heard,” senior Gill West said. “Fred Radke on the trumpet is so good. If you hang out around jazz a lot, you get a sense of what normal, good musicians, good trumpet players can do, and Fred Radke just plays at such a higher level than all the other people that I’m used to hearing.”

The concert at the Searle Center brought in friends of the college, guests in the town of Hillsdale, professors, and students. In the first hour, two student jazz combos – Rob Roy and Primary Colors – performed classic jazz songs before the orchestra came on.

West has been drumming since he was nine years old and began drumming for Rob Roy this past year. He said the group pulled together really well.

“It was a lot of fun,” West said. “It’s really cool to hear the other players do their solos and stuff, see what they come up with and try to play off that. I thought we sounded really tight and hit all our endings really well.”

The college served finger foods such as cranberry bruschetta and cheese and crackers, and  a mini bar was also set up outside of the concert area. Guests were able to eat and talk amongst themselves as the band played. Hess said the set-up brought back an atmosphere of big band performances decades ago.

“I love the environment they set it up in,” Hess said. “The audience can interact with the band as they’re playing, and I think that’s a nice replication of how a big band would have been in the 1930s and 40s…it’s not in this quiet concert hall. It’s as friendly as live entertainment should be.”

To the side, there was a space for dance during the concert. Students, professors, guests, and couples alike were able to dance swing as the bands played.

Hess, who favors classical music, said although she has never been an avid jazz listener, she thought the music and the concert were well-done.

“Jazz is a little harder to listen to because there’s not a consistent melody, it’s hard to predict where it’s going, and I think some modern jazz is especially tough to listen to if you don’t know what you’re doing,” Hess said.

She added that the Harry James Orchestra helped her have a better appreciation for the style.

“This was the best way for me to start to understand and appreciate what was going on because I could see them up there, and they were working hard or breathless or reacting to the music or showing off, and though now I’m still not an avid jazz listener, I like to see it when it is done in a concert like this,” she said.